CV
​EDUCATION
1987 Louisiana State University, Bachelor of Arts in Studio Arts, Baton Rouge, LA
1987 Pilchuck Glass School, Stanwood, WA
SPECIAL PROJECTS
The Salmon School (curated by Benedict Heywood, unless otherwise noted)
2025 Fishmongers’ Hall, London, England
2023–24 Museum of Glass, Tacoma, WA
2023 The Macallan Estate & Distillery, Aberlour, Scotland
2022 Balmoral Castle, Ballater, Scotland (curated by Sarah Hoare)
2021 COP26 United Nations Climate Change Conference, Blue Zone, Glasgow, Scotland
2019 SCHOOL: The Joseph Rossano Salmon Project, Bellevue Arts Museum, Bellevue, WA
BOLD: The Barcode of Life
2014–Present Cold Spring Harbor Laboratory DNA Learning Center, Huntington, NY [Long-term loan]
SOLO EXHIBITIONS
2025
Of Water, Gail Severn Gallery, Ketchum, ID
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2024
Portraits of the Divine, Museum of Northwest Art, La Conner, WA (curated by Stefano Catalani)
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2022
Her One Voice, Mark Moore Fine Art, Orange County, CA (Virtual)
Conservation From Here, Museum of Glass, Tacoma, WA (curated by Katie Buckingham)
Divine Forms, Traver Gallery, Seattle, WA
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2021
Conservation From Here, Olympic National Park and Port Angeles Fine Art Center, Hurricane Ridge, Hoh Rainforest, and Port Angeles, WA (curated by Lee Snook)
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2020
Ivory.125, Pilchuck Seattle, Seattle, WA (curated by Benjamin Wright)
Artifacts of the Feed, Mark Moore Fine Art, Orange County, CA (Virtual)
eDNA Silhouettes, Mark Moore Fine Art, Orange County, CA (Virtual)
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2019
Conservation From Here, Weir Farm National Historic Site, Wilton, CT
Allure of the Fish, Schack Arts Center, Everett, WA
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2018
The Hunted: Reflections of the Hunter, FORUM, La Conner, WA
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2017
Conservation From Here, Sagamore Hill National Historic Site and Oyster Bay Historical Society, Oyster Bay, NY (curated by Susan Sarna)
Vanity, Pacific Lutheran University, Tacoma, WA (curated by Dr. Heather Matthews)
EDNA, Pilchuck Exhibition Space, Seattle, WA (curated by Tina Aufiero)
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2016
Mimics, Lignet Roset & Millesime, Philadelphia, PA
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2015
EDNA, ACME, Anacortes, WA (curated by Lisa MacDonald)
Vanity, Museum of Glass, Tacoma, WA (curated by Scott Lawrimore)
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2​014
Whitewashed, Bainbridge Island Museum of Art, Bainbridge Island, WA (curated by Greg Robinson)
BOLD Moorea, Pacific Science Center, Seattle, WA (curated by Lisa Marchisio and Bryce Seidl)
Whitewashed, Isaac Delgado Fine Arts Gallery, New Orleans, LA (curated by Brenda Hanegan)
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2013
Mirrored Murrelets, Museum of Glass, Tacoma, WA (curated by Dr. David Francis)
Presenting Joseph Rossano, Bill Lowe Gallery, Atlanta, Georgia
Whitewashed, Center on Contemporary Art (CoCA), Seattle, WA (curated by Dr. David Francis)
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2012
BOLD, San Diego Natural History Museum, San Diego, CA (curated by Michael Hager)
The Barcode of Life, Pacific Science Center, Seattle, WA (curated by Lisa Marchisio and Bryce Seidl)
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2011
Google Fusion Tables and the Art of DNA Barcoding, Google, Mountain View, CA (curated by Lisa Young)
The Barcode of Life, South Australian Museum, Adelaide, Australia (curated by Tim Gilchrist)
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2009
The Barcode of Life: Environment-Evolution-Exuberance, Bill Lowe Gallery, Atlanta, GA
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2008
Mirrored Murrelets, Museum of Glass (exterior installation in the Museum’s Mezzanine Plaza’s 100-foot-long reflecting pool), Tacoma, WA (curated by Melissa Post)
Interdependence, Millenia Fine Art, Orlando, FL
Everything White, Sandra Ainsley Gallery, Toronto, Ontario, Canada
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2007
Half Life, Museum of Glass, Tacoma, WA
A Forest in Shadow, Thomas R. Riley Galleries, Cleveland, OH
Harbingers, Habatat Galleries, Chicago, IL
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2006
Everything White, Sandra Ainsley Gallery, Toronto, Ontario, Canada
Unspoken Connections, Bill Lowe Gallery, Santa Monica, CA
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2005
Thomas R. Riley Galleries, Cleveland, OH
Sandra Ainsley Gallery, Toronto, Ontario, Canada
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2004
Bill Lowe Gallery, Atlanta, GA
Vanished and Vanishing, Museum of Northwest Art, La Conner, WA (curated by Susan Parke)
Thomas R. Riley Galleries, Cleveland, OH
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2003
Habatat Galleries, Chicago, IL
Bill Lowe Gallery, Atlanta, GA
Joseph Rossano at The Lowe Gallery, Bill Lowe Gallery, Santa Monica, CA
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2002
Places in Time, Thomas R. Riley Galleries, Columbus, OH
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2001
Vanished and Vanishing, Thomas R. Riley Galleries, Kirkland, WA
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2000
Vetri Gallery, Seattle, WA
SELECTED GROUP EXHIBITIONS
2025
Water Connects Us All, Port Angeles Fine Art Center, Port Angeles, WA (curated by Lindsey Shepherd)
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2024
Past as Prelude, Gail Severn Gallery, Ketchum, Idaho
50 Years | 100 Artists - Celebrating Our Journey, Schack Art Center, Everett, WA (curated by Carie Collver)
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2023
Exploring the Edge, Schack Art Center, Everett, WA (curated by Meg Holgate and Steve Klein)
Geppetto's Children: Italo Scanga at Pilchuck Glass School, Museum of Northwest Art, LaConner, WA (curated by Matthew Kangas)
Gallery Artist Group Exhibition, Traver Gallery, Seattle, WA
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2021
Fluid Formations, Whatcom Museum, Bellingham, WA (curated by Amy Chaloupka)
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2018
BAM Biennial 2018: BAM! Glasstastic, Bellevue Arts Museum, Bellevue, WA (curated by Benedict Heywood)
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2015
Schack Art Center, Everett, WA (curated by Carie Collver)
The New Neo Naturalists, Museum of Northwest Art, La Conner, WA (curated by Kathleen Moles)
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2014
Bellwether 2014: Connect, City of Bellevue, Bellevue, WA
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2013
Ecological Reflections, National Science Foundation, Washington, D.C. (curated by Anna Stewart Ibarra)
Northwest Artists Collect, Museum of Glass, Tacoma, WA (curated by Susan Warner)
Playing with Fire, Coos Art Museum, Coos Bay, OR
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2012
Extended Outlook, Anchor Art Space, Anacortes, WA (curated by Ron Glowan)
Bellwether 2012: Regeneration, City of Bellevue, Bellevue, WA
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2011
Wild/Life, Museum of Northwest Art, La Conner, WA (curated by Kathleen Moles)
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2010
Pulse: Signs of Life, The Lowe Gallery, Atlanta, GA
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2009
Echt Gallery, Chicago, IL
Anything but Clear: The Studio Glass Movement 1979 – 2009, The Dixon Gallery and Gardens, Memphis, TN (curated by Michael Hoffer)
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2008
Flock and Feathers: Birds in Culture, Science & Art, Everhart Museum of Natural History, Science & Art, Scranton, PA
Narratives in Contemporary Glass, The Art Center, Highland Park, IL
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2007
Bellevue Arts Museum, Bellevue, WA (curated by Michael Monroe)
Past Forward, North of Seattle Biennial, Anacortes, WA (curated by Susan Parke)
The Art of Flight, Snohomish County Arts Council, Everett, WA
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2006
Memory, Galerie Internationale du Verre, Biot, France
34th Annual International Glass Invitational, Habatat Galleries, Royal Oaks, MI
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2005
Habatat Galleries, Chicago, IL
Fragile Nature, Habatat Galleries, Royal Oaks, MI
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2004
Museum of Fine Arts St. Petersburg, St. Petersburg, FL
Bryan Ohno Gallery, Seattle, WA
32nd Annual International Glass Invitational, Habatat Galleries, Royal Oaks, MI
Photo Central, Traveling Group Photography Exhibition, Nikon Gallery, Tokyo, Japan
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2003
Selected New Works by Gallery Artists, Bill Lowe Gallery, Santa Monica, CA
Waterford Crystal Traveling Exhibition, Thomas R. Riley Galleries, Kirkland, WA
Beauty Born of Fire: Contemporary Glass in America, The Mansfield Art Center, Mansfield, OH
Homeland, Port Angeles Fine Arts Center, Port Angeles, WA (curated by Jake Seniuk)
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2002
Team Chihuly, Habatat Galleries, Chicago, IL
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2001
25th Anniversary, Friesen Gallery, Sun Valley, ID
ART FAIRS
2012 ArtPrize, Grand Rapids Art Museum, Grand Rapids, MI
2008 SOFA Chicago, Elliott Brown Gallery, Chicago, IL
2007 Green Matters, SOFA Chicago, Elliott Brown Gallery, Chicago, IL
2007 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
2006 PalmBeach3, Thomas R. Riley Galleries, West Palm Beach, FL
2006 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
2005 PalmBeach3, Thomas R. Riley Galleries, West Palm Beach, FL
2005 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
2005 SOFA New York, Thomas R. Riley Galleries, New York, NY
2004 Toronto International Art Fair, Sandra Ainsley Gallery, Toronto, Ontario, Canada
2004 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
2004 SOFA New York, Thomas R. Riley Galleries, New York, NY
2003 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
2003 SOFA New York, Thomas R. Riley Galleries, New York, NY
2002 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
2001 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
2001 SOFA New York, Thomas R. Riley Galleries, New York, NY
2000 SOFA Chicago, Thomas R. Riley Galleries, Chicago, IL
GRANTS/FELLOWSHIPS & RESIDENCIES
STARworks NC, Artist in Residence, 2021
SCHOOL Creation Performances, 2020
Blåst, Tromsø, Norway
Benefield-Spencer, Ballintoy, Ireland
The Australian National University, Canberra, Australia
GAS Virtual Conference from Devereux & Huskie, Wiltshire, United Kingdom
Museum of Glass, Tacoma, WA
Osaka University of Art, Osaka, Japan
STARworks NC, Star, NC
Urban Glass, Brooklyn, NY
Pilchuck Glass School, Artist in Residence, 2019
Museum of Glass, Artist in Residence, 2018
Corning Museum of Glass, For Vanity at Museum of Glass - Tacoma, New Glass Review, Corning, NY, 2015
Northwest Explorers, Guest Lecturer, Northwest Chapter of The Explorers Club, Seattle, WA, November 2015
University of Washington, Guest Lecturer, “2D-3D,” Seattle, WA, 2014
Museum of Glass, Artist in Residence, 2014
Hattie Ettinger Fund at The San Diego Foundation Grant, September 2011
3form Supporting Artist Grant, August 2011
Moorea Biocode Project (funded by the Gordon and Betty Moore Foundation) through an
art-science workshop held at the UC Berkeley Gump South Pacific Research Station on Moorea
(French Polynesia), 2009
Museum of Glass, Artist in Residence, 2007
Ford Motor Company Fellowship with Earthwatch Institute; Awarded Earthwatch Community Fellowship with Dr. Astrida Onat’s “Traditions of Cedar, Salmon and Gold,” Skagit River Basin, WA, 2004
Pilchuck Glass School, Scholarship, 1987
PROFESSIONAL EXPERIENCE
Professional Artist - Arlington, WA, 1990–Present
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Waterford Crystal - Waterford, Ireland, 1997–2004
Artistic Coordinator and Program Director for Artists in Residency: Dale Chihuly, Dan Dailey, Richard Royal, Richard Marquis, and Hiroshi Yamano. Oversight of project mission, schedule, and Waterford factory needs for artists, and development and coordination of traveling exhibit of artists’ work in the United States.
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Dale Chihuly Studio - Seattle, WA, 1989–1997
Glass Studio Manager: Liaison between Dale Chihuly and team. Responsible for maintaining Chihuly’s artistic vision in the hot glass studio. Managed 30 full-time glass makers; supervised personnel, scheduling, contract negotiations, coordinating visiting artists, facility management, and studio maintenance; negotiated the contracts for special projects, supplier/contractor, and global offsite glass production; and oversaw glass studio expenses.
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Special Projects Studio Manager: Facilitated the work of, and worked with such renowned artists as: Jeff Koonz, Italo Scanga, Lino Tagliapietra, Josiah Mclheny, and Jon Torriano.
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Head Gaffer (glassblowing team leader): “Persian,” “Seaform,” and “Basket” series, worked with Italian glass masters Lino Tagliapietra and Pino Signoretto on “Venetian” series.
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Project Manager Glass Production for Chihuly Over Venice: Developed relationships with international studios in Finland, Ireland, Mexico, Japan, Italy, and France. Managed glassblowing needs at each venue, facilitated artistic mission as directed by Chihuly, coordinated equipment and supply needs for each blow, and supervised staffing, travel, and costs.
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Associated Bibliography:
West, Peter. “Chihuly Outside,” Portland Press, 2012.
West, Peter. “Chihuly in the Hotshop,” Portland Press, 2008.
West, Peter. “Chihuly Garden and Glass,” Portland Press, 2004.
Yood, James. “Team Chihuly,” Glass Quarterly, Fall 2002, Number 88.
West, Peter. “Chihuly Working With Lino Tagliapietra,” Portland Press, 1999.
“Chihuly Over Venice,” Dale Chihuly at various locations, KCTS Seattle/PBS, 1998.
Michael Barnard. “Chihuly River of Glass,” Portland Press, 1997.
“Dale Chihuly: Installations 1964-1992,” KCTS Seattle/PBS, 1993.
“Seattle Evening,” Dale Chihuly and crew working on Persian series, KCTS Seattle/PBS, 1991.
“The Home Show,” Dale Chihuly and crew working on Float series, KCTS Seattle/PBS, 1991.
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Italo Scanga and Richard Royal - Seattle, WA, 1991–1996
Gaffer: Executed a series of Scanga’s glass pieces, and assisted on the execution of collaborative glass pieces between Scanga and Royal.
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Pilchuck Glass School - Stanwood, WA, 1991–1993, 2001
2001: Associate Gaffer with Nadège Desgenetez
1991–1993: Associate Gaffer with William Morris for works by Italo Scanga, Judy Pfaff, Patrick Reyntiens, Pike Powers, Steve Kirsch, and Lauren Ewing
1991: Associate Gaffer with Martin Blank for works by Damian Priour, Kurt Wallstab, Clifford Rainey, James Watkins, and Andrew Ginzel and Christian Jones.
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Dan Dailey - Kensington, MA, 1990, 1987
Assistant: Assisted Richard Royal and Benjamin Moore in execution of blown-glass head series.
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William Morris - Stanwood, WA, 1988–1989
Apprentice: Assisted William Morris in execution of series Early Artifacts, Standing Stones, Stone Vessels, and River Rocks, responsible for studio organization and public demonstrations.
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Associated Bibliography:
“Today Show,” William Morris and crew making a glass blown Stone Vessel, NBC, 1989.
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Corning Museum of Glass with curator Thomas Buechner - Corning, New York, 1989, 1987
Assistant: with William Morris in fabrication of blown-glass sculpture representing Buechner's interpretation of Wagner's “Ring.”
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William Dexter - Boyertown, PA, 1987
Apprentice: Assisted in fabrication of glass studio and served as vital member of production glassblowing team.
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George Hoehne & Sons Design - Glen Cove, NY, 1985–1986
INSTITUTIONAL COLLECTIONS
Arterra – Bellevue, WA
Bainbridge Island Museum of Art – Bainbridge, WA
City of Everett – Everett, WA
Cold Spring Harbor Laboratory – Cold Spring Harbor, NY
Embassy, United Arab Emirates – Washington, D.C.
Everhart Museum – Scranton, PA
Marshall Fields – Chicago, IL
Museum of Glass – Tacoma, WA
Museum of Northwest Art – La Conner, WA
San Diego Natural History Museum – San Diego, CA
St. Anthony's Hospital – Gig Harbor, WA
Sagamore Hill National Historic Site (Theodore Roosevelt Presidential Library) – Oyster Bay, NY
Snohomish County – Everett, WA
Racine Art Museum – Racine, WI
PRIVATE COLLECTIONS
Sandra Ainsley
Doug & Dale Anderson
Dr. Dennis & Lynn Chugh
Dr. Ronald & Susan Crowell
Robert & Cressida Douglas-Miller OBE
Peter & Sarah Landale
Dr. William & Dolores Nevins
Thomas & Synthia Riley
Ronald & Dolores Romeo
Barry Rosen
Norman & Elizabeth Sandler
MEDIA / PUBLICATIONS / BIBLIOGRAPHY
2025
“Wild Salmon Connections marks significant moment for international wild salmon conservation,” Atlantic Salmon Trust, 18 March 2025.
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2024
Kangas, Matthew. “Joseph Gregory Rossano: Portraits of the Divine,” Preview Art Magazine, 1 September 2024.
Stern, Ken. “‘Portraits of the Divine’ indicts human smallness,” La Conner Weekly News, 31 July 2024.
Stone, Debbie. “Tacoma museum shines a spotlight on the artistry of glass,” Northwest Prime Time, 27 June 2024.
“Museum of Northwest Art opens new art exhibits,” La Conner Weekly News, 19 June 2024.
Joseph, Paul. “10 Exhibitions to Visit in Washington State this Spring,” TravelMag, 6 March 2024.
Dever, Jim. “Tacoma's flyin' fish bring beauty with a message to the Museum of Glass,” King5, 10 January 2024.
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2023
Pailthorp, Bellamy. “Shimmering glass sculpture 'The Salmon School' returns to Tacoma,” KNKX Public Radio, 8 December 2023.
“Macallan Unveils Salmon Conservation Sculpture,” Arts & Collections, 24 February 2023.
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2022
Mackay, Iona. “Zambuni Adventure to Balmoral Castle, The Salmon School’s New Home,” Zambuni [UK], 12 April 2022.
Walker, David; Cameron, Lucinda; & Britton, Ruaraidh. “New Balmoral Castle art exhibition celebrating Queen's links to Scotland launched,” Aberdeen Live [UK], 3 April 2022.
Bell, Rachel. “Queen's life at Balmoral celebrated in exhibition,” BBC News, 1 April 2022.
Cameron, Lucinda. “Fish installation to go with the flow at Balmoral as part of Jubilee celebration,” The Scotsman, 1 April 2022.
Walker, David; & Cameron, Lucinda. “Queen's love for Balmoral Castle explored in new art exhibition on Royal Deeside,” Scottish Daily Express, 1 Apr 2022.
“Silver Shoal for Platinum Jubilee,” The Press and Journal [UK], 1 April 2022.
Cameron, Lucinda. “Contemporary artwork to be shown at Balmoral Castle for first time,” The Scotsman, 31 March 2022. [Crossposted on Barrhead News, Barry & District News, Basingstoke Gazette, The Impartial Reporter, STV News, Swanage & Wareham Voice, Upday News, and Witney Gazette.]
McBlane, Lewis. “Art installation heads to Balmoral to celebrate salmon conservation,” Grampian Online [UK], 19 March 2022. [Crossposted on Fisheries Management Scotland.]
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2021
Baker, Florence. “The tail end of COP26,” Canada’s National Observer, 2 December 2021.
“Fragility of Salmon,” Trout & Salmon [UK], 1 December 2021.
“Glass Salmon Created at STARworks on Exhibit at U.N. Climate Conference in Glasgow,” The Pilot, 18 November 2021.
“Artists Respond to COP26,” Hasta (St Andrews) [Scotland], 13 November 2021.
Allan, Alasdair, & Na h-Eileanan an Iar, Scottish National Party. “Wild Salmon Feature at COP26,” Scottish Parliament: Motion ref. S6M-02009, 9 November 2021.
Rickards, Charlotte. “COP26: How the art world is getting involved,” Country & Town House [UK], 4 November 2021.
Rickards, Charlotte. “Meet COP26's Shimmering Salmon Installation” [Interview with Joseph Rossano], Country & Town House [UK], 4 November 2021.
Stott, Grant. Interview with Joseph and Katherine Huskie [Radio Broadcast], BBC Radio Scotland Afternoon Show, 4th November 2021.
“Salmon School COP 26 Q&A,” Fulling Mill, 4 November 2021.
Shehadi, Lemma. “Artworks at COP26 in Glasgow and beyond shed light on the world’s climate crisis,” The National [UAE], 3 November 2021.
Mackay, Iona. “An International Collaboration Centred on Salmon,” Zambuni [UK], 2 November 2021.
Mackay, Iona. “Major sculptural intervention, ‘Salmon School’ is now present at the heart of COP26,” Zambuni [UK], 1 November 2021.
“12 craft exhibitions to see in the UK this November,” Crafts Council [UK], 1 November 2021.
“Artwork at COP26,” Making a Mark [UK], 1 November 2021.
Harris, Gareth. “Cop26: Six eco works popping up in Glasgow (and beyond) for the UN Climate Change Conference," The Art Newspaper [UK], 28 October 2021.
“Minister Meets the Salmon Stewards of the Future through Salmon School,” Fisheries Management Scotland, 28 October 2021.
Elwes, Annie. “A Fishy Business,” Country Life [UK], 27 October 2021.
Elwes, Annie. “A warning to the COP26: focusing on the salmon as an indicator species helps us gain a holistic view of the whole ecosystem,” Country Life [UK], 27 October 2021.
“A Salmon School Update,” Missing Salmon Alliance, 27 October 2021.
Shipton, Martin. “Landowner calls for action to tackle UK river pollution,” Western Mail [UK], 25 October 2021.
Topping, Caroline. “Salmon School Takes a Leap During COP26,” Daily Record [UK], 25 October 2021.
“Missing Salmon Alliance is Lead Partner Brining Salmon School to Heart of COP26,” The Game Fair & Game Fair Trade Newsletter [UK], 20 October 2021.
“Wild salmon on world stage at U.N. climate conference,” Atlantic Salmon Federation [Canada], 20 October 2021.
Smith, Kenny. “Raising Awareness of the Loss of Wild Salmon,” Scottish Field Magazine, 18 October 2021.
News bulletin interview with Alan Wells on Salmon School [Radio Broadcast], BBC North East Scotland Radio, 15 October 2021 & 20 October 2021.
Editors. “Salmon artwork takes centre stage at COP26,” Fish Farmer [Scotland], 15 October 2021.
Rossano, Joseph, & Rahr, Guido. “Comment: Salmon art exhibit will send global climate message,” Everett Herald, 11 October 2021.
“Missing Salmon Alliance is Lead Partner Bringing Salmon School to Heart of COP26,” Fish Focus [UK], 10 October 2021.
Amos, Ilona. “COP26: Striking fish artwork takes global stage to highlight extinction risk to wild salmon in Scotland and abroad,” The Scotsman [Scotland], 9 October 2021.
“Tacoma Artists’ Work Goes to UN,” Tacoma Weekly, 1 October 2021.
“Elk installation appears at fine arts center,” Peninsula Daily News, 9 May 2021.
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2020
“Joseph Rossano at Pilchuck School Exhibition Space, Seattle,” Glass Quarterly, Winter 2020, Issue #163.
Novak, Arina. “In Seattle exhibition, artist Joseph Rossano’s ‘Ivory Project’ explores the lengthy history of species extinction,” Urban Glass, 30 September 2020.
Revkin, Andrew. “Earth Institute Sunday Arts & Hearts Webcast - Featuring Artist Joseph Rossano,” Andrew Revkin webcast, July 19, 2020.
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2019
Mark Moore Fine Art. “‘School’ The Joseph Rossano Salmon Project - A Collaboration in Conservation,” Artsy, 6 May 2019.
Costantino, Grace & Berrios-Torres, Sandra. “Vanity and BHL: Examining Extinction and Rediscovery through Art,” Biodiversity Heritage Library Blog, 7 February 2019.
Fiege, Gale. “Salmon School Ambassadors,” Everett Herald, 10 January 2019.
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2018
Stern, Ken. “Birds of a feather: owls and artists,” La Conner Weekly News, 7 February 2018.
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2017
Seidman, Alyssa. “Exploring how conservation has changed since Theodore Roosevelt’s time,” LI Herald, Oyster Bay Guardian, 22 December 2017.
Lane, Laura. “Elk signify the ‘promise and practice of conservation,’” Glen Cove Herald Gazette, 16-22 November 2017, vol. 26, no. 46.
Davison, Dave. “Tacoma Art Gallery,” Tacoma Weekly News, 26 October 2017.
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2015
“Joseph Rossano BOLD,” Cold Spring Harbor Laboratory, 2015.
“Joseph Gregory Rossano Vanity with S.I. Berrios-Torres, MD.,” Museum of Glass - Tacoma, 2015.
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2014
Bookhardt, Eric D. “Joseph Rossano at The Delgado Art Gallery,” New Orleans Art Insider, June 2014.
Saulitus, Eva. “After the Whitewash: Facing the Exxon Valdez Disaster 25 years Later,” On Earth Magazine, 29 March 2014.
Lane, Sarah. “You and The Planet Are Running Out of Time: Don’t Miss BIMA’S Whitewashed,” Inside Bainbridge, February 2014.
Marano, Luciano. “The Very Last Polar Bears on The Planet? BIMA Showcases ‘Whitewash,’ The Environmental Art of Joseph Gregory Rossano,” Bainbridge Island Review, January 2014.
Graves, Jen. “Goodbye, Small Catfish from Ohio,” SLOG, 2 January 2014.
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2013
“Keeping up with Kyoto Prize Laureate Daniel H. Janzen,” Kyoto Prize,14 December 2013.
Upchurch, Michael. “Aussie-U.S. glass-art ties made clear at Museum of Glass,” The Seattle Times, 4 August 2013.
“Joseph Gregory Rossano -Whitewashed,” Center on Contemporary Art (CoCA) Seattle, 2013.
Graves, Jen. “Whitewashed,” The Stranger Suggests, 14 May 2013.
“Artist of the Week,” Glass Roots Inc., 5 March 2013.
Clayton, Alec. “Northwest Artists Collect,” The Weekly Volcano, South Sound Arts Etc., 1 May 2013.
Graves, Jen. “Birds With Plans, Lost Children and Degrees of Separation,” SLOG, 27 April 2013.
“Ecological Reflections, Sense of Place in Changing Places,” National Science Foundation, 2013.
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2012
Irwin, Shelly. “ArtPrize Artist Joseph Rossano,” WGVU Grand Rapids/NPR, 3 October 2012.
“In Our Home Waters,” Pacific Science Center, October 2012.
Arnold, Alison. “Biology and Technology ‘collide’ at Grand Rapids ArtPrize,” WMEAC Blog, 27 September 2012.
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2011
Kellett, Sarah. “Museum of South Australia Exhibition Barcode of Life,” A Schooner of Science, 9 December 2011.
“BOLD: The Art of DNA Barcoding – BOLD: Moorea,” Ontario Genomics Institute, 2011.
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2010
“BOLD: The Art of DNA Barcoding – BOLD: Costa Rica,” Ontario Genomics Institute, 2010.
Zlotnick, Bradley. “Team Prasmadon Flies the Barcode Banner at ‘the Toughest 48hrs. in Sport,’” The Barcode Bulletin, December 2010.
Meyer, Christopher. “Art and Biocode,” Moorea Biocode Project, November 2010.
Burks, Christian. “The Art of Barcoding,” The Barcode Bulletin, March 2010.
Quimbly, Kelly. “Visual Art: The Barcode of Life,” Creative Loafing, 4 January 2010.
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2009
Cobb, Benjamin & Susan Linn. “Kids Design Glass,” University of Washington Press, 2009.
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2008
“Cityline,” Tacoma TV, 12 June 2008.
Mudd Ruth, Maria. “The Elusive Marbled Murrelet: A Threatened Species,” Charter for Compassion, 2008.
Ponnekanti, Rosemary. “Only size could improve Murrelets exhibit at Museum of Glass,” The News Tribune, June 15, 2008.
Nagle, Matt. “Museum Of Glass Ready to Unveil Important Outdoor Art Installation,” Tacoma Weekly, 4 June 2008.
“Murrelets at Museum,” The Towhee, June 2008.
Rossano, Joseph. “In Tiffany’s Steps – A Contemporary Glass Artist’s Journey,” Morse Museum annual public lecture, 11 March 2008.
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2007
Yood, James. “A Forest in Shadow: Joseph Rossano at Habatat Galleries,” Glass Quarterly: Art:Design:Culture, No. 107, 2007, p. 67.
Arney, Sarah. “Rossano and Morris Art Now on Display at BAM,” Arlington Times, 21 February 2007.
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2004
Murray, Mike. “Northwest Reshapes N.Y. Artist,” Everett Herald, 10 December 2004.
Ament, Deloris Tarzan. “Joseph Rossano at the Museum of Northwest Art,” Artweek, April 2004, p. 27.
Fiege, Gale. “Art of the Land,” Skagit Valley Herald, 8 January 2004.
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2002
“Multimedia artworks are rooted in the Catskills,” Hudson Valley Daily Mail, 6 July 2002.
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2001
Chambers, Karen. “The Luck of the Irish,” Vetro, 10 March 2001, Vol. 10.
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1999
Chambers, Karen & Paul Roberts. “Vanished and Vanishing,” Riley Hawk, 1999.
“Pure Form Glass Jars Brighten Invitational Show,” Arlington Times/Marysville Globe, 7 July 1999.​